Filming took place in New Orleans in late fall of 2008. "We speak on the phone and you talk about nothing," he said. At least, that's not how it ends in the cut that hit theaters last week. In that moment, Doug and Lois realize they cannot use Mallory as a substitute for their daughter and return home to Indianapolis. Do the characters and situations seem relatable? "Welcome to the Rileys" takes two old plots and makes a rather touching new plot out of them. Melissa Leo fills said detours with unexpected grace notes. First she's constantly linked with - the pretty one-dimensional - Bella Swann from the Twilight franchise and then she gets her love-life in a tangle and everyone takes R-Patz' side. A woman runs over a garbage can and hits a pole in her own driveway. Those opening moments in Welcome To The Rileys could have been seen in any number of seventies-era character pieces in both their confrontational dissonance and oppressive darkness. Yet that wasn't the original ending, as MTV News learned at the red-carpet premiere earlier this month. Welcome to the Rileys. What consequences does substance use (drinking, drugs, smoking) have in the movie? Reminding him of his daughter, Doug takes her under his wing, trying to help her improve her life, whether she wants him to or not. While the location is a suburban backyard, the darkness seems to swallow this mans face, who entirely has the cameras attention. I grew up in Downstate Illinois hearing men speak exactly like him. In that version, Mallory declines to return to the couple's home with them and instead takes off to keep stripping in a new city. Who knows, but they do it. TVTropes is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. You can help us help kids by [9], "Welcome to the Rileys - Movie Info - Yahoo! And look at what Gandolfini does. But while she expects a $10 quickie, he is looking for a decidedly different fix. Whomever was present for such a disaster no longer breathes air. Unfortunately, Independence Day isn't currently streaming on Netflix. A married couple loses their 15-year-old daughter in a car accident after her and her boyfriend took off after Lois (the mother) goes looking for them. There, he seeks catharsis by going to a strip club, but realizes the road he is going down is rather destructive. 1) Happiness is not just about joy When the film begins, the emotion of Joypersonified by a manic pixie-type with the voice of Amy Poehlerhelms the controls inside Riley's mind; her overarching goal is to make sure that Riley is always happy. Screenwriter: Ken Hixon Welcome to The Rileys is a good film, but it ain't a great one. The pacing is glacial at times, but with excellent performances from Leo, Stewart, and Gandolfini (the former Tony Soprano, now wearing Red State simplicity over a powerfully fractured heart) allow each moment to feel real, lived-in, understandable. The film involves such characters in a story that is a little more real and involving than we expect. Tougher, more sympathetic performances havent been seen yet from these three: Stewart in particular defies expectations in an uneasy role. YOUR FAVORITE MTV SHOWS ARE ON PARAMOUNT+. Instead, however, he ends up in a strip club where he meets 16-year-old stripper, Mallory (Kristen Stewart). That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. The film debuted at the 2010 Sundance Film Festival. The couple projects Emily in Allison, but is there still hope or is it too late for Allison and themselves? See our. In Indianapolis, Douglas Lloyd 'Doug' Riley and Lois Riley are a estranged couple married for almost 30 years that grieves the loss of their 15-year-old daughter Emily. Welcome to the Rileys does a convincing job of evoking its New Orleans locations. Going online, I found that the coastal critics as a group thought he was using a Southern accent, for some reason. They've never been to the Midwest and possibly never to the South. Welcome to the Rileys - amazon.com He politely turns down her offer for a private dance, and - in order to avoid some work colleagues who entered the club - instead accompanies her home and makes an unusual proposition: if Mallory will allow him to stay in her run-down house long enough to straighten himself out, he will pay her $100 a day for her trouble. In making each character a surrogate for someone else in their lives, Scotts central metaphor traffics too close to obviousness. Here's the plot: "Years after their teenage daughter's death, Lois and Doug Riley, an upstanding Indiana couple, are frozen by estranging grief. The film involves such characters in a story that is a little more real and involving than we expect. WELCOME TO THE RILEYS moves slowly, but it packs a mighty punch. Once a happily married and loving couple, Doug and Lois Riley have grown apart since losing their teenage daughter eight years prior. Why do they do it? Kid reviews for Welcome to the Rileys | Common Sense Media Years after losing their 15-year-old daughter, Emily, in a car accident, Doug and Lois Riley (James Gandolfini and Melissa Leo) are still gutted. ", Check out everything we've got on "Welcome to the Rileys.". If you chose to provide an email address, it will only be used to contact you about your comment. Doug, Lois's husband later meets a young girl at a club who says she is 22 and a stripper, but later he finds out she's a 16-year-old runaway. 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I didnt plan on asking Scott about this, its a silly topic and critique, but many continue to (oddly) complain. Research shows a connection between kids' healthy self-esteem and positive portrayals in media. "[6] Roger Friedman of The Hollywood Reporter said, "We got to see James Gandolfini continue his whacking of Tony Soprano in a fine new drama called Welcome to the Rileys. Families can talk about the movie's messages. For her part, Lois has developed agoraphobia so she never leaves the house. Interview: Kristen Stewart on Channeling Princess Diana for Pablo Larrans. The city at night seems a contrast between artificial merriment and loneliness, and more evocative than another city known for sin, Las Vegas. His choices don't always make sense, but they seem to make him feel better, at least at first. For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com. Lois' reaction to everything is unusual, too, and a little unexplored. As for his accent, it must be brought up since Scott seemed key on going on record about it, but its consistent and his Indiana drawl adds to his old fashioned sense. Stewarts Mallory is something the cat dragged in, a person of little self-worth who is determined to lose even what little she does have. Ever since the. "[8] However, David Edwards from the Daily Mirror says, "It's downbeat and has little to say about the grieving process, and while Gandolfini and Leo are memorable, Stewart is not. He knows at home that their tombstone awaits, lacking only a departure date. Did you know you can flag iffy content? Emotionally adrift after the death of his daughter and the more recent demise of his lover, Doug moves down to New Orleans and makes Allison his special project, thus ensuring that his redemption will revolve around that most tired of cinematic clichs: the man who doesnt want to fuck the hooker hes paid for; hed rather try to save her. There will be moments of skepticism: Why Doug is initially moved to take action and help Mallory/Allison requires some suspension of disbelief. Welcome to the Rileys - amazon.com He has a long-time Thursday night mistress whom he invites to go with him to a plumbing supply conference in New Orleans. Welcome To The Rileys | OFFICIAL trailer US (2010) Kristen Stewart The night Emily died, she and her boyfriend were speeding and driving recklessly to get away from Lois when she became alarmed as to what they were doing. While the. Review: 'Welcome To The Rileys,' A Portrait Of Unconventiality It becomes more apparent later on why she has been so depressed and blames herself. There is an incident but then he takes Mallory home and decides to stay in her derelict house to help her. Bittersweet Ending: Lois and Doug realize that Mallory can't and won't be a replacement for their daughter. Kristen Stewart here is tougher even than her punk rocker in The Runaways. He's a mountain of a man, but gentle, not threatening. Espaol (prximamente) - volver al inicio, Best Movies on Netflix, Disney+, and More, 50 Modern Movies All Kids Should Watch Before They're 12, Best TV Shows on Netflix, Disney+, and More, 50 Books All Kids Should Read Before They're 12, Helping Kids Navigate the World of Artificial Intelligence, Movies and TV Shows That Celebrate Black Music, Celebrate Juneteenth with Learning and Fun. Doug escapes to New Orleans on a business trip . What you willand won'tfind in this movie. He thinks they're swell. She isn't jealous; she's more concerned that he's crazy. Lois is agoraphobic, takes many pills and does not have sex with Doug. But, it is hinted that there is hope for her in the future as she makes attempts to change herself (the last shot shows her wearing better clothes than her ratty old sweat suit and she gave up smoking). Rated R In the end, of course, the makeshift family arrangement proves untenable and Lois teaches Doug to redirect his affection back to her, which he does by reigniting their sex life via a verbal exchange that, not for the first time in the Ken Hixons screenplay, unfolds as little more than clumsy and redundant exposition. On a business trip to New Orleans, a damaged man seeks salvation by caring for a wayward young woman. Mallory: I'm nobody's little girl! He isn't defensive; he's matter-of-fact. He isn't ready to leave his wife, however, perhaps because he knows she would not survive alone. Mallory is then later arrested for an altercation with a client, and Doug and Lois rush to be by her side, but shortly after they bail her out, she runs away again. 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Theres also moment or two where both Scott and screenwriter Ken Hixon show that Doug knows how odd the situation is whether it be with a glance or a subtle line. Review: Welcome to the Rileys - Slant Magazine All Rights Reserved. Mired in deep depression, Doug decides with a jolt to sell his business and stay in New Orleans. Executive producers: Ridley Scott, Tony Scott, Steve Zaillian, Ken Hixon She receives manicures in her own living room. Not that any of us can be as presumptuous to think we know that we're doing something so real that we would know how things would work out. Support for Internet Explorer 11 is Ending. Your privacy is important to us. We all sound the same to them. [2] It stars James Gandolfini, Melissa Leo, and Kristen Stewart. Movies", Kristen Stewart's Joan Jett movie among Sundance Premieres, "Welcome to the Rileys (2010) - Box Office Mojo", Of the feel of theaters and audiences, and eight films from Sundance, James Gandolfini Rubs Out Tony Soprano Again, Twilight star Kristen Stewart exposed in Welcome to the Rileys, https://en.wikipedia.org/w/index.php?title=Welcome_to_the_Rileys&oldid=1150497223, This page was last edited on 18 April 2023, at 14:38. That twist on the old theme positions Gandolfini and Leos Doug and Lois Riley as a Midwestern couple drifting aimlessly through life since the death of a beloved teenage daughter. A kind of firm, terse understatement, on a flat, factual note. Welcome to the Rileys is a 2010 independent film directed by Jake Scott (son of Ridley Scott ). Their marriage is in shambles; Doug's having an affair, and Lois can't leave the house. In this case, hes got his (psychological) reasons (shes practically the same age as his daughter was when she died), and so does his wife, who, after overcoming an acute case of locked-in syndrome to join her husband in New Orleans, supplements her husbands efforts by helping Allison with those pesky womanly issuesnotably a nasty case of STD-induced urinary irritation. If you like what we do, please consider subscribing to our Patreon or making a donation. Her performance suggests a spirit in transit that the film wants to pigeonhole into little-girl-lost clichs, and Stewart gamely follows suit in an arc that never seems believable. Emily's room is still intact. "She's not Emily!" yells Lois Riley (Melissa Leo) to husband Doug (James Gandolfini), referring both to their dead daughter Emily and Allison, Kristen Stewart's New Orleans stripper . He maintains a plumbing supply business and brightens his week with card games and an affair with an obliging waitress. She tells him that she knew about his affair with Vivian, but before the conversation can go any further, she hangs up. "It was so good, I didn't expect it to end like that. She doesn't leave their Indianapolis home, and she's ordered a gravestone with their names and birth years on it. If youve seen a music video of his or a short film (his short for Phillips Cinema, The Hunt, is especially worth checking out: here), hes a man for eye-popping visuals. Welcome to the Rileys Film Review Despite its selection in Sundance's Dramatic Competition, where one expects experimental and edgy works, the film feels old-fashioned and somewhat removed from. In that first hour, not a single moment of Rileys takes a turn youd expect it with very minor exceptions, as Scott showcases himself as someone willing to let characterizations and actions speak for themselves. Independently owned and operated publications like Slant have been hit hard in recent years, but were committed to keeping our content free and accessiblemeaning no paywalls or fees. Did you know you can flag iffy content? It's such a relief to be spared the usual cliches here and observe how Leo so convincingly channels a woman's mothering instinct. Before long, Lois has also moved into Mallory's home, and the three start to form an unconventional family. Sign in to rate and Watchlist for personalized recommendations. When he smokes, his huge hands dwarf his cigarette. James Gandolfini stars as Doug Riley, an Indianapolis plumbing supplies contractor. Kristen Stewart, Director Address 'Rileys' Unexpected Ending Welcome to the Rileys (Film) - TV Tropes It was their daughter who passed on in the terrible wreck, lost to them at the age of fifteen. PUNCH. But he did argue that the film isnt quite getting its due when it comes to the visuals, many critics have been lamenting it without flair, but thats not the case. Scott says that he strayed away from that with videos and even more so with Welcome to theRileys. One day on set he punched a hole through a wall from frustration, but only due to feeling like he wasnt doing what he was supposed to. Something's wrong at the Rileys. Welcome to the Rileys Reviews - Metacritic Review: 'Welcome To The Rileys,' A Portrait Of Unconventiality. Galdofini plays utter misery and then utter optimistic conviction with ease. She is worn and wounded, hostile and vulnerable. One of the surprises involves Lois. Daily Headlines covering Film, TV and more. Gandolfini is someone thats always going to be tagged with playing Tony Soprano, but with roles like this, Carol in Where the Wild Things Are and In the Loop, you forget about that Jersey gangster he once played.
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